It's the most basic of all questions, but someone asks it at least once a week. In this article, I will explain what channel means in music and mixing
I use the word "channel" to describe where you record each element of your mix. When you record your vocals, kick, snare, guitar, etc. you record each one on a "channel." The number of channels you have decides the price you pay for a mixing/mastering job.
The Example Below Would Be Considered A 10 Channel Mix/Master
You have a lead vocal, background vocal, bass, kick, snare, cymbals, acoustic guitar, organ, synth, and lead guitar. 10 channels in total and you would be charged the 10 channel price listed on the website. Also, remember, mastering is free with all mixing jobs.
The sound engineer scam, the online recording studio ripoff, whatever you want to call it. I hear about it 3-4 times a month from my clients, since 1999. It never changes!
I've mastered over 40,000 songs since 1999. I've charged $10 a song, $20, $30, $50 even $100! Some prices worked better than others. Here are a few facts to consider when deciding on what prices to charge. Read more....
I started my career using the old analog stuff, since that was the only option.I incorporated digital software plugins as soon as they became available, but it took many years before computers were fast enough to run them in realtime.And also before they started making very high quality plugins.
Learning and calibrating your speakers for your DAW in audio mastering is a very important step in the audio mastering process. When I first start out with NEW speakers (though I never change them now), I listen to my favorite hit songs in every genre and style.Songs that I know from my years of experience have X amount of bass, X amount of brightness, etc.I know how these songs are "supposed" to sound.
Why do songs need to be mastered? I've seen this question on the Internet many times.The answer I always see is "Because all songs on the radio have been professionally mastered, yours should be too."This is a true fact, but not an answer.
If you've mixed songs in the past, you more than likely can use that same software for audio mastering. As long as you can add effects to the stereo/main out bus, you're good to go. Read more....
Correctly setting your mixing levels before mastering is essential for great mastering results. Having the best DB levels for mixing is critical. Here's how to properly do it!
Here are the series of audio mastering software processors I've used on the over 30,000 songs I've mastered since 1999. In this video, I use mostly izotope ozone plugins because it's easier to explain using them. In real-life, I do mix in a few hardware pieces, and a waves plugin.
What does mastering do to a song? Your main goal in audio mastering is to replicate the sonic qualities of a well professionally mastered commercial song, in the same genre and style as the song mix you are working on.
Here are a few great stereo widening techniques and how to use them in music. When you listen to music on a car radio, you want that wide stereo sound that extends from the left door to the right. Not just two feet wide right above the stereo!
If you're looking for the best website hosting for musicians, bands, and music recording studios, here's my own personal experience with website hosting companies.
So, what is the best room size for audio mastering in your DAW home recording studio? Technically, you can properly mix or master in any room size.But, I believe a smaller room is better than a very large one for someone who's just starting out. And when I say smaller I mean closer to 12'x15' than to 20'x30'.I've mixed and mastered songs for a number of years in a 20'x30' room.It took me a few days to get used to it, but after that I could do it.
How much headroom before mastering should you leave in your mix? Here's the correct amount of headroom you should leave, using detailed graphic examples.
This video shows one of the more imptotant compression techniques I use in audio mastering. In my audio Mastering Secrets Video Series, I explain everything you need to know about audio mastering.
A lot of mastering engineers are afraid to make drastic changes to a mix they are working on. That, or they're stuck in the familiarity of always making only small changes.
In this video I show how you can turn a weak mix (definitely wouldn't call it bad) into a great sounding master, simply by pushing your levels a little more than you might be used to.
