Why does a mix need headroom and dynamic range? In one sentence, it gives the mastering engineer more room to work with.
If I compared a hair stylist to a mastering engineer, hair length would be mix headroom.If someone came in with 18" of hair, the skies the limit as to how she could style it.But, if they came in with only 1" of hair, her style choices (options) are very limit.In audio mastering, no headroom limits your options.
In the audio mastering process, a series of EQ boosts and cuts are performed.Most of the time you're going to need to boost something, even if it's only a little +2db boost at 100hz.Well, if the song is already at 0 volume level or higher, you might not be able to make a necessary boost without distorting.
And if a song has very low dynamic range (the meter barely moves) it's probably over-compressed. Which means it could lack punch, power, clarity, or could even limit EQ options.
I want a song mix with some headroom and decent dynamic range. "I" want to EQ it as necessary, "I" want to compress it as necessary, "I" want to be able to set the overall volume as necessary, and I don't want to work with a distorted mix.
This section actually ties in with a previous one where I talk about not giving the mastering engineer a song that's already 75% mastered by you.Don't do it!And if you do, just master the other 25% yourself and save your money. Read more....
The Music Production Secrets Series by John Rogers
In this video I do a quick A/B comparison of a few songs. In my audio mastering secrets video series, I get a lot more in-depth into exactly what you are trying to achieve sonically for your genre/style of music.
Would you like to know how to master a song or how to master your own music? So many people think just making the volumes the same level for every song is "mastering" their CD. Well, mastering is a lot more than just that!
I started my career using the old analog stuff, since that was the only option.I incorporated digital software plugins as soon as they became available, but it took many years before computers were fast enough to run them in realtime.And also before they started making very high quality plugins.
Learning and calibrating your speakers for your DAW in audio mastering is a very important step in the audio mastering process. When I first start out with NEW speakers (though I never change them now), I listen to my favorite hit songs in every genre and style.Songs that I know from my years of experience have X amount of bass, X amount of brightness, etc.I know how these songs are "supposed" to sound.
The vibrato and tremolo effects both have their differences. But the vibrato and tremolo effects also sound very similar; both slightly wave and pulsate the pitch of an audio track. You have to hear it for yourself to understand the sound.
I've mastered over 40,000 songs since 1999. I've charged $10 a song, $20, $30, $50 even $100! Some prices worked better than others. Here are a few facts to consider when deciding on what prices to charge. Read more....
So, what is the best room size for audio mastering in your DAW home recording studio? Technically, you can properly mix or master in any room size.But, I believe a smaller room is better than a very large one for someone who's just starting out. And when I say smaller I mean closer to 12'x15' than to 20'x30'.I've mixed and mastered songs for a number of years in a 20'x30' room.It took me a few days to get used to it, but after that I could do it.
Since the begining of his solo career in 2008, I mastered over 80 songs with the top French recording artist NYLS. Great pop dance music with a lot of remixes. During his entire career (as of now), I mastered most of if not all the song he released. It was a great pleasure working with NYLS and Nico at Icon Records!
This article discusses what is the chorus effect in music and how to use it? The chorus effect makes a single audio track sound like a group. It achieves this by taking a single instrument or vocal track, multiplying it, and then slightly detunes each newly created track. The result is a fuller lush sounding audio track.
Here are a few great stereo widening techniques and how to use them in music. When you listen to music on a car radio, you want that wide stereo sound that extends from the left door to the right. Not just two feet wide right above the stereo!