Stereo Widening Techniques | How To Use Stereo Widening In Mastering Music
Written by John Rogers
Here are a few great stereo widening techniques and how to use them in music. When you listen to music on a car radio, you want that wide stereo sound that extends from the left door to the right. Not just two feet wide right above the stereo!
The stereo widening effect simply increases the perceived stereo width of a track or entire song. This is basically done by changing the phase, character and/or adding a delay to the left and right channels of the input signal.
Some stereo widening processors can also add side coding to a track, which allows it to turn a mono audio track into a stereo track.
Common Uses Of The Stereo Widening Effect In Mixing
Not much to explain here. You either want an individual track or an entire song to sound wider.
Basic Stereo Widening Effect Techniques, Tips, And Tricks
When it comes to expanding the stereo field for an entire song, nothing beats good arranging, panning and proper use of effects to enhance the stereo field of the mix.
I personally use stereo widening on every project during mixing and mastering. Usually sparingly, but I do use it.
But, don’t think just using a stereo widener on your song at the end is the secret weapon to getting that full stereo sound.
The problem - When used heavy, many processors starts to make the center of the song sound in stereo too. Which means your lead vocal and kick drum are in stereo. Not good.
It also doesn’t do a great job turning a mono track into a stereo track. It won’t give you that true sounding stereo width. It’s best to re-record the performance and then pan the two performances left and right.
The Music Production Secrets Series by John Rogers
So, what is the best room size for audio mastering in your DAW home recording studio? Technically, you can properly mix or master in any room size.But, I believe a smaller room is better than a very large one for someone who's just starting out. And when I say smaller I mean closer to 12'x15' than to 20'x30'.I've mixed and mastered songs for a number of years in a 20'x30' room.It took me a few days to get used to it, but after that I could do it.
Learning and calibrating your speakers for your DAW in audio mastering is a very important step in the audio mastering process. When I first start out with NEW speakers (though I never change them now), I listen to my favorite hit songs in every genre and style.Songs that I know from my years of experience have X amount of bass, X amount of brightness, etc.I know how these songs are "supposed" to sound.
Here are the series of audio mastering software processors I've used on the over 30,000 songs I've mastered since 1999. In this video, I use mostly izotope ozone plugins because it's easier to explain using them. In real-life, I do mix in a few hardware pieces, and a waves plugin.
This article discusses what is the chorus effect in music and how to use it? The chorus effect makes a single audio track sound like a group. It achieves this by taking a single instrument or vocal track, multiplying it, and then slightly detunes each newly created track. The result is a fuller lush sounding audio track.
I had to write a quick note on this, as I was reminded about it while thumbing through a popular mixing book that had a 15 page section on speaker resonance and room sound proofing.I must say, a very exciting 15 pages!Ha!
What does mastering do to a song? Your main goal in audio mastering is to replicate the sonic qualities of a well professionally mastered commercial song, in the same genre and style as the song mix you are working on.
I've mastered over 40,000 songs since 1999. I've charged $10 a song, $20, $30, $50 even $100! Some prices worked better than others. Here are a few facts to consider when deciding on what prices to charge. Read more....