To create a mix for mastering with proper headroom is pretty simple.
In mixing, never let your levels go over 0db on ANY of your individual instrument or vocal tracks.If you do this, 99% of the time you will be under 0 level on the stereo/main out meter, which leaves you some headroom (not necessarily +3db or more but at least +1db).Don't compress your tracks heavy and you'll have adequate dynamic range too.
That's usually all you need to do to achieve proper headroom, but there are always exceptions. If most of your tracks are hot and peaking right at 0 level, your song mix could be at 0 level with no headroom.It won't be distorted (if not recorded distorted), but you still won't be leaving the audio mastering engineer much to work with.If this is the case, after finishing your mix, link all the channels together and just pull them all down a few dbs.Now you have headroom.
Remember, loudness maximization is done in mastering not mixing. DO NOT keep raising your faders way over 0 level in an attempt to match the volume level of your favorite song.This will distort it. Yes, you matched the volume level, but now you have a scratchy distorted mess! Read more....
The Music Production Secrets Series by John Rogers
I had to write a quick note on this, as I was reminded about it while thumbing through a popular mixing book that had a 15 page section on speaker resonance and room sound proofing.I must say, a very exciting 15 pages!Ha!
In this video I do a quick A/B comparison of a few songs. In my audio mastering secrets video series, I get a lot more in-depth into exactly what you are trying to achieve sonically for your genre/style of music.
Learning and calibrating your speakers for your DAW in audio mastering is a very important step in the audio mastering process. When I first start out with NEW speakers (though I never change them now), I listen to my favorite hit songs in every genre and style.Songs that I know from my years of experience have X amount of bass, X amount of brightness, etc.I know how these songs are "supposed" to sound.
So, what is the best room size for audio mastering in your DAW home recording studio? Technically, you can properly mix or master in any room size.But, I believe a smaller room is better than a very large one for someone who's just starting out. And when I say smaller I mean closer to 12'x15' than to 20'x30'.I've mixed and mastered songs for a number of years in a 20'x30' room.It took me a few days to get used to it, but after that I could do it.
Here are a few great stereo widening techniques and how to use them in music. When you listen to music on a car radio, you want that wide stereo sound that extends from the left door to the right. Not just two feet wide right above the stereo!
Why do songs need to be mastered? I've seen this question on the Internet many times.The answer I always see is "Because all songs on the radio have been professionally mastered, yours should be too."This is a true fact, but not an answer.
Correctly setting your mixing levels before mastering is essential for great mastering results. Having the best DB levels for mixing is critical. Here's how to properly do it!
If you're looking for the best website hosting for musicians, bands, and music recording studios, here's my own personal experience with website hosting companies.
If you're into "do it yourself projects" my mastering book will show you EXACTLY how I mastered every style of music on this website. Get it here Audio Mastering Secrets!
What does mastering do to a song? Your main goal in audio mastering is to replicate the sonic qualities of a well professionally mastered commercial song, in the same genre and style as the song mix you are working on.
This article discusses what is the chorus effect in music and how to use it? The chorus effect makes a single audio track sound like a group. It achieves this by taking a single instrument or vocal track, multiplying it, and then slightly detunes each newly created track. The result is a fuller lush sounding audio track.
How much headroom before mastering should you leave in your mix? Here's the correct amount of headroom you should leave, using detailed graphic examples.
A lot of mastering engineers are afraid to make drastic changes to a mix they are working on. That, or they're stuck in the familiarity of always making only small changes.
In this video I show how you can turn a weak mix (definitely wouldn't call it bad) into a great sounding master, simply by pushing your levels a little more than you might be used to.
Here are the series of audio mastering software processors I've used on the over 30,000 songs I've mastered since 1999. In this video, I use mostly izotope ozone plugins because it's easier to explain using them. In real-life, I do mix in a few hardware pieces, and a waves plugin.
I would say YES, most people can become a great mastering engineer. I say this because most of the mixes I receive from clients are pretty good and I know the audio engineer (the band member with a computer) has only minimal training.He could easily be great if he put a little more study and practice time into it.And if he had this book to teach him what took me over 17 years to learn!Ha!
Since the begining of his solo career in 2008, I mastered over 80 songs with the top French recording artist NYLS. Great pop dance music with a lot of remixes. During his entire career (as of now), I mastered most of if not all the song he released. It was a great pleasure working with NYLS and Nico at Icon Records!
I started my career using the old analog stuff, since that was the only option.I incorporated digital software plugins as soon as they became available, but it took many years before computers were fast enough to run them in realtime.And also before they started making very high quality plugins.
Millions of people suffer from tinnitus. A new study shows around 10% of the U.S. population suffers from it in some form, but many have never even heard of it until they get it! Unfortunately, I was one of those people. It can happen quickly and it lasts a lifetime...
The sound engineer scam, the online recording studio ripoff, whatever you want to call it. I hear about it 3-4 times a month from my clients, since 1999. It never changes!
