How Much Headroom For Mastering Should I Leave?

This is another big problem I see with mixes submitted for mastering.  Here's the correct amount of headroom you should leave for mastering.

There are two factors to consider when exporting your final mix for mastering:

A. Peak level - The absolute highest level the output signal reaches.

B. Dynamic range - The range between the highest level and the lowest level of the output signal.

 

PEAK LEVEL

The loudest part of your song (peak level) should be around -3db to -5db (below 0 level).  This is considered +3db to +5db of headroom. 

In your mix, never let your levels go over 0db on the stereo out (main out) meter, OR on any of your individual instrument or vocal tracks. 

Remember, loudness maximization is done in mastering not mixing, so there's really no benefit to go over-level in mixing.  Note - For the record, at times you can peak at 0 level or slightly over if its quick hits like a drum, hi hat, etc. and they don't distort.  But again, there's no reason to go over-level.

Sometimes I receive songs that correctly have +3db of headroom, but the vocals or certain instruments are still distorted.  This is because the "individual tracks" were mixed over-level.  Nothing should ever go over 0db on any channel of your entire mix!!

 

We get so many over-level submissions, I've decided to show graphics of how your .wav or.aiff files should look.

wav1

This .wav file peaks at -6db. A little low but just fine. We can work with this.

 

wav2

 This .wav file peaks at -3db. This is great.

 

wav3

This .wav file peaks at 0db, but is fine because there are no distorted flat
spots in the wave. The high hats are hitting at 0db and everything else
drops down, leaving good dynamic range. We can work with this.

 

wav4

This .wav is +3db over level. All the flat spots you see are distortion. You can't
just jack up your levels past 0 and distort everything to make your song louder.
Loudness is increased in mastering.  Do not submit a file that looks like this.

 

wav5

Once a week, we get at least one file that looks like this! Let's call this the
"trainwreck file." +6db over level and totally distorted from beginning to end.

We can't do anything with this. No one can!!

 

wav6

This is an interesting file. We get this quite often too. It's the "train-wreck file"
we mentioned above, gained down -9db. It's completely distorted, but its -3db under 0 level.

A file where the mixer channels are over 0 level, but the main stereo out
is -6db, would look exactly the same.

We can't use this either. Once your song is distorted and over level, you
can't just gain it down. All you're doing is making a distorted file quieter.

You have to be under 0 level on the stereo out, and on all the mixer board
channels when exporting the original .wav file.

Unfortunately, many times the recording studio gives you the "train-wreck" file
and you're stuck with it.  Gaining it down yourself does nothing.

 

DYNAMIC RANGE 

As a song plays, the output meter constantly goes up and down. Dynamic range is the area between the peak level (when the meter is up) and the low level (when the meter is down). Roughly, 3db to 5db of movement between the high and low meter level is average, but this does depend on the genre of music. 

With a heavily compressed/limited or over-level mix, the meter will not go up and down more than 1db, if any.  Not good.

The reason I need dynamic range and headroom in mixes is because compressed/limited or over-level mixes already have music content removed from them, which greatly limits what I can do in mastering.

Leaving no dynamic range is comparable to a woman who goes to a hair stylist with only 3 inches of hair. The stylist would be “very” limited with what she could do!  10 inches, and the sky's the limit!

 
We offer professional mixing and mastering here at Big Label Sound Mastering Studio.  High quality work at an affordable price!  You can also receive a FREE Mastering Demo, with no obligation.
 
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